Music
Funkmaster Flex was born in the Bronx borough of New York City with music flowing through his veins thanks to his father Aston George Taylor Sr., a sound system DJ for local clubs throughout the city. By 16, Flex began DJing at local nightclubs a perfecting his mixing and turntable talents. At 19, he got his first job as a record boy for fellow Bronx native, Chuck Chillout for WRKS 98.7 Kiss-FM in New York. One evening, Chillout was late for his show and Funkmaster Flex got his big break and was allowed to stand in, thus beginning his career in radio.
He later left KISS for a brief stay at 107.5 WBLS-FM, meanwhile Flex kept up his club appearances at many of Vito Bruno's operated nightclubs including The Tunnel, Home Bass and Mecca. Bruno helped convince Joel Salkowitz, a regional vice president of Hot 97, to begin airing live broadcasts from clubs where Flex was performing like The Tunnel. He called the hours of Saturday evening programming the "Saturday Night House Party". When they realized the resurgence of Hip Hop was coming fast from its fallout in the eighties they increase the hours and days of these style of shows.
Salkowitz went and saw Funkmaster Flex perform and work the crowd at the Home Bass. After that night, he was convinced that Flex was his man and in the spring of 1992, Funkmaster Flex began mixing and hosting his own show, a specialized rap show on Hot 97. With that, it became the first pop station in New York to showcase rap. Flex has been with Hot 97 ever since and aired nationally through syndication throughout the weeknights and weekends. In 1995 The Flip Squad was born, eight of New York City's most respected DJs -- Funkmaster Flex, Biz Markie, "BounceMasta" Doo Wop, Big Kap, DJ Enuff, Mister Cee, Frankie Cutlass, DJ Riz, Cipha Sounds and Mark Ronson. Their self-titled debut LP was released on MCA in late 1998.
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Famous quotes containing the word music:
“Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.”
—Thomas Beecham (1879–1961)
“Sound all the lofty instruments of war,
And by that music let us all embrace,
For, heaven to earth, some of us never shall
A second time do such a courtesy.”
—William Shakespeare (1564–1616)
“When in our music God is glorified,
and adoration leaves no room for pride,
it is as though the whole creation cried Alleluia!”
—Frederick Pratt Green (b. 1903)