Fundamental Group

In mathematics, more specifically algebraic topology, the fundamental group (defined by Henri Poincaré in his article Analysis Situs, published in 1895) is a group associated to any given pointed topological space that provides a way of determining when two paths, starting and ending at a fixed base point, can be continuously deformed into each other. Intuitively, it records information about the basic shape, or holes, of the topological space. The fundamental group is the first and simplest of the homotopy groups. It is a topological invariant: homeomorphic topological spaces have the same fundamental group.

Fundamental groups can be studied using the theory of covering spaces, since a fundamental group coincides with the group of deck transformations of the associated universal covering space. Its abelianisation can be identified with the first homology group of the space. When the topological space is homeomorphic to a simplicial complex, its fundamental group can be described explicitly in terms of generators and relations.

Historically, the concept of fundamental group first emerged in the theory of Riemann surfaces, in the work of Bernhard Riemann, Henri Poincaré and Felix Klein, where it describes the monodromy properties of complex functions, as well as providing a complete topological classification of closed surfaces.

Read more about Fundamental Group:  Intuition, Definition, Examples, Functoriality, Fibrations, Relationship To First Homology Group, Universal Covering Space, Edge-path Group of A Simplicial Complex, Realizability, Related Concepts

Famous quotes containing the words fundamental and/or group:

    Much of what contrives to create critical moments in parenting stems from a fundamental misunderstanding as to what the child is capable of at any given age. If a parent misjudges a child’s limitations as well as his own abilities, the potential exists for unreasonable expectations, frustration, disappointment and an unrealistic belief that what the child really needs is to be punished.
    Lawrence Balter (20th century)

    The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots.
    Alfred Jarry (1873–1907)