Life
Even as a boy Fritz Pümpin has been a keen graphic artist. In 1916/17 he studied drawing and painting with the well known Swiss painter Janet in Colombier, Switzerland. He continued his education as an artist at the school of arts in Basle, Switzerland. His parents decided that he should become a business man in order to take over his father's wine business which he did in 1929. This job, however, did not satisfy him and, after marrying in 1936 he and his wife decided to embark on a fulltime artistic career.
He now also engaged in his hobby, archaeology and he became well known for his discoveries and descriptions of Germanic, Roman, Celtic and Neolithic stations in Northwestern Switzerland. For his merits he became a member of the commission of antiquities of the Canton of Baselland.
During World War II he was a soldier in the Swiss army and was ordered by his superiors to record with pencil and paint brush special historical events. Thus, fascinating and historically valuable sketches and paintings of wartime events along the Swiss border were generated. Paintings of the Red Cross organized transfer of French children to neutral Switzerland, of the arrival of French and American troops at the Swiss border and sketches of the erroneous bombardment of Basle in 1945 are especially singled out.
From 1945 to 1972 - interrupted by various voyages to France, Italy, Spain and Holland - Fritz Pümpin has painted in his beloved Jura area of Northwestern Switzerland. His main subjects were landscapes and villages. He has succeeded in over fifty years of work to capture his homeland with convincing strokes of his paintbrush in his post-impressionist style. Portraits, "nature morts", drawings and paintings from his voyages abroad, from his military service and from his archaeological excavations enrich his work.
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“A broad margin of leisure is as beautiful in a man’s life as in a book. Haste makes waste, no less in life than in housekeeping. Keep the time, observe the hours of the universe, not of the cars. What are threescore years and ten hurriedly and coarsely lived to moments of divine leisure in which your life is coincident with the life of the universe?”
—Henry David Thoreau (1817–1862)
“Since the Greeks, Western man has believed that Being, all Being, is intelligible, that there is a reason for everything ... and that the cosmos is, finally, intelligible. The Oriental, on the other hand, has accepted his existence within a universe that would appear to be meaningless, to the rational Western mind, and has lived with this meaninglessness. Hence the artistic form that seems natural to the Oriental is one that is just as formless or formal, as irrational, as life itself.”
—William Barrett (b. 1913)
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—Ernest Hemingway (1899–1961)