Fritz Pollard - Professional Football Player

Professional Football Player

He later played pro football with the Akron Pros, the team he would lead to the NFL (APFA) championship in 1920. In 1921, he became the co-head coach of the Akron Pros, while still maintaining his roster position as running back. He also played for the Milwaukee Badgers, Hammond Pros, Gilberton Cadamounts, Union Club of Phoenixville and Providence Steam Roller. Some sources indicate that Pollard also served as co-coach of the Milwaukee Badgers with Al Garrett for part of the 1922 season. He also coached the non-NFL team Gilberton. In 1923 and 1924, he served as head coach for the Hammond, Indiana football team.

Pollard, along with all nine of the black players in the NFL at the time, were removed from the league at the end of the 1926 season, never to return again. He spent some time organizing all-black barnstorming teams, including the Chicago Black Hawks in 1928 and the Harlem Brown Bombers in the 1930s.

Read more about this topic:  Fritz Pollard

Famous quotes containing the words professional, football and/or player:

    Virtue and vice suppose the freedom to choose between good and evil; but what can be the morals of a woman who is not even in possession of herself, who has nothing of her own, and who all her life has been trained to extricate herself from the arbitrary by ruse, from constraint by using her charms?... As long as she is subject to man’s yoke or to prejudice, as long as she receives no professional education, as long as she is deprived of her civil rights, there can be no moral law for her!
    Flora Tristan (1803–1844)

    ...I’m not money hungry.... People who are rich want to be richer, but what’s the difference? You can’t take it with you. The toys get different, that’s all. The rich guys buy a football team, the poor guys buy a football. It’s all relative.
    Martina Navratilova (b. 1956)

    There has been in our time a lack of reliance on language and a lack of experimentation which are frightening to anyone who sees them as symptoms. We know the phenomenon of stage-fright: it holds the player shivering, incapable of speech or action. Perhaps there is an audience-fright which the play can feel, which leaves him with these incapacities.
    Muriel Rukeyser (1913–1980)