Works
In his essay on Wilamowitz, Solmsen reflected on classical studies as a discipline and an intellectual pursuit within a broadly historical context. "The post-World-War-I generation for whom the value of the Classics had become a problem," he writes, "did not find an answer to their question what made ancient civilization particularly significant and worth intensive study," adding that Wilamowitz "did not realize the need of justifying their study to a generation for whom the continuity of a tradition that reached back to the age of Goethe was weakened (though not completely broken) and whose outlook was still in the process of formation; many in fact were consciously striving for a new orientation."
The following bibliography, arranged by topic and then chronologically within the topic, attempts to represent the range of Solmsen's contributions to scholarship but is by no means exhaustive. Omitted are most articles in German, reviews, and notes (i.e., articles of less than three pages). The articles are for the most part collected in his Kleine Schriften, 3 vols. (Hildesheim 1968–1982).
Read more about this topic: Friedrich Solmsen
Famous quotes containing the word works:
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)
“You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you don’t look too closely. Artists are cleaners, don’t let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.”
—Francis Picabia (1878–1953)
“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (1876–1959)