Use in Western European Classical Music
The composer Orlando Gibbons (1583–1625) wrote a keyboard fantasia in which he quotes the Dutch melody De Rommelpot. In modern times the friction drum has been used by several Western composers. Edgard Varèse used it in Hyperprism (1924) and Ionisation (1933). Alexander Goehr specifies a “lion’s roar” in his Romanza for cello and orchestra (1968). Carl Orff used a whirled friction drum in A Midsummer Night’s Dream (1934-52) and Benjamin Britten, in his Children’s Crusade, (1969) calls for a string drum to be struck with drumsticks and bowed by means of the stretched string.
Read more about this topic: Friction Drum
Famous quotes containing the words classical music, western, european, classical and/or music:
“The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)
“So-called Western Civilization, as practised in half of Europe, some of Asia and a few parts of North America, is better than anything else available. Western civilization not only provides a bit of life, a pinch of liberty and the occasional pursuance of happiness, it’s also the only thing that’s ever tried to. Our civilization is the first in history to show even the slightest concern for average, undistinguished, none-too-commendable people like us.”
—P.J. (Patrick Jake)
“Americans want action for their money. They are fascinated by its self-reproducing qualities if it’s put to work.... Gold-hoarding goes against the American grain; it fits in better with European pessimism than with America’s traditional optimism.”
—Paula Nelson (b. 1945)
“Classical art, in a word, stands for form; romantic art for content. The romantic artist expects people to ask, What has he got to say? The classical artist expects them to ask, How does he say it?”
—R.G. (Robin George)
“I used to be angry all the time and I’d sit there weaving my anger. Now I’m not angry. I sit there hearing the sounds outside, the sounds in the room, the sounds of the treadles and heddles—a music of my own making.”
—Bhakti Ziek (b. c. 1946)