Architecture and Landscape
Unlike many other great houses, its exterior was austere and not adorned with pediments or pilasters. For some, this gave it a noble simplicity. For others, it seemed unremarkable and undermined the case for preservation. Its exterior contrasted with a richly ornate and well-proportioned interior. The interior was magnificent, with carved marble chimneypieces, many fine ceilings and plasterwork of a high quality. There was a celebrated book room, a classical stone staircase with medallioned walls and a circular room with a groined ceiling. In the long parlour there was a painted ceiling by Riley, a student of Joshua Reynolds. Frescati boasted its own theatre with Corinthian columns. Jacob Smith, who also worked at Carton and Russborough, landscaped and devised the large formal gardens filled with rare plants and shrubs. The house stood well back from the road on acres of woods and parkland, and a stream passed through its grounds. There was also a small seawater pool in the garden. The gateway stood close to where the entrance to the Blackrock Shopping Centre stands today and its lands stretched back to where Sydney Avenue is located today.
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