French Imperial Eagle

French Imperial Eagle (Aigle de drapeau, lit. "flag eagle") refers to the figure of an eagle on a staff carried into battle as a standard by the Grande Armée of Napoleon I during the Napoleonic Wars.

Although they were presented with Regimental Colours, the regiments of Napoleon I tended to carry at their head the Imperial Eagle. This was the bronze sculpture of an eagle weighing 1.85 kg, mounted on top of the blue regimental flagpole. They were made from six separately cast pieces designed along Roman lines and, when assembled, measured 310 mm in height and 255 mm in width. On the base would be the regiment's number or, in the case of the Guard, Garde Impériale. The Eagle bore the same significance to French Imperial regiments as the colours did to British regiments - to lose the Eagle would bring shame to the regiment, who had pledged to defend it to the death. Upon Napoleon's fall, the restored monarchy of Louis XVIII of France ordered all eagles to be destroyed and only a very small number escaped. When the former emperor returned to power in 1815 (known as the Hundred Days) he immediately had more eagles produced, although the quality did not match the originals. The workmanship was of a lesser quality and the main distinguishing changes had the new models with closed beaks and they were set in a more crouched posture.

Read more about French Imperial Eagle:  Design Inspiration, Captured Eagles

Famous quotes containing the words french, imperial and/or eagle:

    In comparison to the French Revolution, the American Revolution has come to seem a parochial and rather dull event. This, despite the fact that the American Revolution was successful—realizing the purposes of the revolutionaries and establishing a durable political regime—while the French Revolution was a resounding failure, devouring its own children and leading to an imperial despotism, followed by an eventual restoration of the monarchy.
    Irving Kristol (b. 1920)

    The formal Washington dinner party has all the spontaneity of a Japanese imperial funeral.
    Simon Hoggart (b. 1946)

    If the Americans, in addition to the eagle and the Stars and Stripes and the more unofficial symbols of bison, moose and Indian, should ever need another emblem, one which is friendly and pleasant, then I think they should choose the grapefruit. Or rather the half grapefruit, for this fruit only comes in halves, I believe. Practically speaking, it is always yellow, always just as fresh and well served. And it always comes at the same, still hopeful hour of the morning.
    Johan Huizinga (1872–1945)