American Art At The Freer
Freer began collecting American art in the 1880s. In 1890, after meeting James Abbott McNeill Whistler, an American artist influenced by Japanese prints and Chinese ceramics, Freer began to expand his collections to include Asian art. He maintained his interest in American art, however, amassing a collection of over 1,300 works by Whistler, which is considered the world's finest.
One of the most well-known exhibits at the Freer is the Peacock Room, an opulent London dining room painted by Whistler in 1876–77. The room was designed for British shipping magnate F.R. Leyland and is lavishly decorated with green and gold peacock motifs. Purchased by Freer in 1904 and installed in the Freer Gallery after his death, the Peacock Room is on permanent display.
The Freer also has works by Thomas Dewing (1851–1938), Dwight Tryon (1849–1925), Abbott Handerson Thayer (1849–1921), Childe Hassam (1859–1935), Winslow Homer (1836–1910), Augustus Saint-Gaudens (1848–1907), Willard Metcalf (1858–1925), John Singer Sargent (1856–1925), and John Twachtman (1853–1902).
Read more about this topic: Freer Gallery Of Art
Famous quotes containing the words american, art and/or freer:
“‘Tis the gift to be simple ‘tis the gift to be free
‘Tis the gift to come down where you ought to be
And when we find ourselves in the place just right
‘Twill be in the valley of love and delight.”
—Unknown. ‘Tis the Gift to Be Simple.
AH. American Hymns Old and New, Vols. I–II. Vol. I, with music; Vol. II, notes on the hymns and biographies of the authors and composers. Albert Christ-Janer, Charles W. Hughes, and Carleton Sprague Smith, eds. (1980)
“... in the fierce competition of modern society the only class left in the country possessing leisure is that of women supported in easy circumstances by husband or father, and it is to this class we must look for the maintenance of cultivated and refined tastes, for that value and pursuit of knowledge and of art for their own sakes which can alone save society from degenerating into a huge machine for making money, and gratifying the love of sensual luxury.”
—Mrs. H. O. Ward (1824–1899)
“And no less firmly do I hold that we shall one day recognize in Freud’s life-work the cornerstone for the building of a new anthropology and therewith of a new structure, to which many stones are being brought up today, which shall be the future dwelling of a wiser and freer humanity.”
—Thomas Mann (1875–1955)