Freemasonry - Opposition To and Criticism of Freemasonry

Opposition To and Criticism of Freemasonry

Main article: Anti-Masonry See also: Masonic conspiracy theories

Anti-Masonry (alternatively called Anti-Freemasonry) has been defined as "opposition to Freemasonry." However, there is no homogeneous anti-Masonic movement. Anti-Masonry consists of widely differing criticisms from diverse (and often incompatible) groups who are hostile to Freemasonry in some form. Critics have included religious groups, political groups, and conspiracy theorists.

There have been many disclosures and exposés dating as far back as the 18th century. These often lack context, may be outdated for various reasons, or could be outright hoaxes on the part of the author, as in the case of the Taxil hoax.

These hoaxes and exposés have often become the basis for criticism of Masonry, often religious or political in nature (usually by totalitarian dictatorial regimes, but also arising in the historical Anti-Masonic Party in the United States), or are based on suspicion of corrupt conspiracy of some form. The political opposition that arose after the "Morgan Affair" in 1826 gave rise to the term "Anti-Masonry," which is still in use today, both by Masons in referring to their critics and as a self-descriptor by the critics themselves.

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Famous quotes containing the words opposition to, opposition and/or criticism:

    A man with your experience in affairs must have seen cause to appreciate the futility of opposition to the moral sentiment. However feeble the sufferer and however great the oppressor, it is in the nature of things that the blow should recoil upon the aggressor. For God is in the sentiment, and it cannot be withstood.
    Ralph Waldo Emerson (1803–1882)

    My opposition [to interviews] lies in the fact that offhand answers have little value or grace of expression, and that such oral give and take helps to perpetuate the decline of the English language.
    James Thurber (1894–1961)

    Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.
    Leslie Fiedler (b. 1917)