Frederik Magle - Music

Music

The first public performance of one of Frederik Magle's compositions took place on Easter morning 7 April 1985, in Stubbekøbing church, where a children's choir performed an Easter hymn he had composed. Two years later, in 1987, six of his hymns with texts by his mother Mimi Heinrich were performed by actress and singer Annie Birgit Garde at a concert in Lyngby church, and the same year he played on television for the first time. In 1988, two of his larger works, the cantata We are afraid, and the "mini-musical" A Christmas Child, were premiered in Grundtvig's Church in Copenhagen before an audience of 2,000 people. He began a collaboration with the violinist Nikolaj Znaider in 1990, and they performed a series of concerts together. Later, Znaider gave the first performance of Magle's variations for violin and piano in the Concertgebouw, Amsterdam, with the pianist Daniel Gortler: Journey in time describes a "kind of scenes or musical images" with the use of sharp dissonances, complicated rhythms and dramatic transitions and thematic formations.

In 1993 Magle composed music for the experimental theatre performance Der Die Das by the theatrical group Hotel Pro Forma, directed by Kirsten Delholm, which was performed at the 4th international Dance Festival in Munich, Germany. Other artists involved were the architect Thomas Wiesner, sculptors Anders Krüger and Frans Jacobi, painter Tomas Lahoda, and the costume designer Annette Meyer; it was presented as a contemporary "Gesamtkunstwerk" comprising architecture, art, music, and performance.

Magle's concerto for organ and orchestra The Infinite Second was given its first performance and recorded in 1994 at the 3rd international music festival in Riga Cathedral, Latvia by the Latvian Philharmonic Chamber Orchestra, conducted by Dzintars Josts, with Frederik Magle himself as organ soloist. The reviewer of Berlingske Tidende, Steen Chr. Steensen, described the organ concerto as "a long process from darkness to light" tonally "founded in the French school of organ music". It was released on CD in 1996 along with his second symphony for organ Let there be light which had been premiered in Riga Cathedral in 1993. The culture journalist Jakob Levinsen wrote of Magle's method of structuring the two works:

...while his music appears quite conventional in terms of the traditional musical parameters, such as a preference for arch forms and a relatively conservative use of free tonality in terms of melody and harmony, what could be labelled the dramatic characters of his music are very definitely developed from the specific possibilities of the church organ itself. That goes for the often occurring contrast between very bright and very dark timbres, between clearly defined melodic lines and closely woven fields of sound, between huge pillars of chords and energetically moving patterns of rhythm. And it goes for his two dominating ways of structuring his music as well (...) the gradual building of dynamic tensions through adding more and more layers of sound, the abrupt changes between light and dark, force and calm, clear and veiled. Including the courage to extend some of the parameters into the extremes – such as when a rhythmic pattern becomes so dense as to almost blurring the contours of the figurations involved, and only the outline of movement remains... —Jacob Levinsen

The Christmas cantata A newborn child, before eternity, God! was given its first performance in 1996, commissioned by Kulturby 96 – the European Capital of Culture 1996. In 1997 it was released on CD, in a recording made in Messiaskirken in Charlottenlund by the soloists Ingibjörg Gudjonsdottir, soprano, Elisabeth Halling, alto, Gert Henning-Jensen, tenor, Christian Christiansen, bass, two mixed choirs, two children's choirs, brass band, organ and percussion, conducted by Steen Lindholm. The cantata was described by the reviewer of Jyllands-Posten as hard to classify, with a "religiously narrative robustness". The work sets text from a kontakion by the 6th century hymnographer Romanos the Melodist (translated into Danish by the priest Kristian Høeg)

In 1995-96 Magle composed a symphonic Lego Fantasia in three movements for piano and symphony orchestra, commissioned by the Lego Group. It was premiered on 24 August 1997 at a concert in St George's Chapel, Windsor Castle by the London Philharmonic Orchestra conducted by David Parry, with Magle himself on piano. In 1998 the same performers recorded the work for a CD released by the Lego Group. Also in 1998 he was commissioned to write a work for Amnesty International: he composed Flammer for Frihed ("Flames for Freedom) for solo piano. The piece was printed in a book of the same title containing essays by 24 Danes (including then prime minister Poul Nyrup Rasmussen, former prime minister Poul Schlüter, Tøger Seidenfaden, Ghita Nørby, and others). Edited by Monica Ritterband, the book was published on the 50th anniversary of the Universal Declaration of Human Rights. On 22 November 1998 Magle's Cantata to Saint Cecilia for soloists, choir, children's choir, and chamber orchestra was given its first performance at the Ny Carlsberg Glyptotek in Copenhagen. The following year it was recorded and released on the album Cæciliemusik (Music for Saint Cecilia) by the Danish Cæciliekoret (The Cecilia Choir) conducted by Gunnar Svensson with the soloists Birgitte Ewerlöf (soprano), Tuva Semmingsen (alto), and Jørgen Ditlevsen (bass). The cantata's text is by the author Iben Krogsdal; based on the story of Saint Cecilia, who died in a gruesome way for her Christian faith, it has been described as "moderate modernism" with a special "Danish tone" and a transparent chamber musical instrumentation.

In 2001 his work, The Hope, for brass band, choir, organ and percussion, was given its first performance during the commemoration of the 200th anniversary of the Battle of Copenhagen. The composition was commissioned by the Admiral Danish Fleet in cooperation with the Reformed Church in Copenhagen, where the premiere performance took place on 1 April. The Hope was subsequently recorded and released by the Royal Danish Navy on the album Søværnet Ønsker God Vind (The Royal Danish Navy Wishes Godspeed) in 2005.

Magle created the specifications and tonal design for a new pipe organ in Jørlunde church that was inaugurated in October 2009, and in 2010 he released a double album of free improvisations on the instrument, Like a Flame. Reviews of the album were predominantly favorable, but his improvisations were also criticized, especially in a scathing review in the Danish organ magazine ORGLET which argued for the use of traditional fugal and choral forms instead of the free improvisation. One critic complained about the length of the album, finding it too long at more than two hours. The organist, jazz-pianist, and composer Henrik Sørensen defended Magle's free improvisational form in an article in Danish organ-magazine Orgelforum.