Frederick C. Beiser - Works

Works

Monographs:

  • The Fate of Reason: German Philosophy from Kant to Fichte, Harvard University Press, (1987)
  • Enlightenment, Revolution, and Romanticism: The Genesis of Modern German Political Thought, 1790-1800, Harvard University Press, (1992)
  • The Sovereignty of Reason: The Defense of Rationality in Early English Enlightenment, Princeton University Press, (1996)
  • German Idealism: The Struggle Against Subjectivism, 1781-1801, Harvard University Press, (2002)
  • The Romantic Imperative: The Concept of Early German Romanticism, Harvard University Press, (2004)
  • Schiller as Philosopher: A Re-Examination, Oxford University Press, (2005)
  • Hegel, Routledge, (2005)
  • Diotima's Children: German Aesthetic Rationalism from Leibniz to Lessing, Oxford University Press, 2009

Edited Works:

  • The Cambridge Companion to Hegel, Cambridge University Press, (1996)
  • The Early Political Writings of the German Romantics, Cambridge University Press, (1996)
  • The Cambridge Companion to Hegel and Nineteenth-Century Philosophy, Cambridge University Press, 2008

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    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
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    Great works constructed there in nature’s spite
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