Composition
"Freak on a Leash" is four minutes and fifteen seconds long. The song uses dissonance, distortion, and various effects to bring the song "to life." David Lloyd from the University of Alberta said that the song was an example of a "nonsense-utterance" technique used by lead vocalist Jonathan Davis. Lloyd also noted that the song contained "fragments of English-language words," and said that they "can be perceived in the midst of Davis' gibberish". Lloyd later went on to say that "Davis is giving voice to his inner basic feelings which are trying to resist being shaped or conditioned by utterances of others."
Elias Pampalk said that the song was "rather aggressive" and said it was heavy metal/death metal. Pampalk proclaimed that "melodic elements do not play an important role in 'Freak on a Leash' and the specific loudness sensation is a rather complex pattern". There are reoccurring elements throughout "Freak on a Leash". The song contains vocals, guitars, bass and percussion. It expresses moods such as anger, drama, and sarcasm.
An acoustic rendition of the song was recorded with Jonathan Davis singing a duet with Amy Lee of Evanescence, at MTV studios in Times Square, New York City for Korn's acoustic set on December 9, 2006. A remixed version was made by a fan in San Jose CA and submitted to Live 105 radio station. The new mix pushed the song back to the top ten requested for another month after the original had fallen off. The artist, Nathan E, came to the station for an interview where it was revealed he was just 15 years old.
Read more about this topic: Freak On A Leash
Famous quotes containing the word composition:
“If I don’t write to empty my mind, I go mad. As to that regular, uninterrupted love of writing ... I do not understand it. I feel it as a torture, which I must get rid of, but never as a pleasure. On the contrary, I think composition a great pain.”
—George Gordon Noel Byron (1788–1824)
“At painful times, when composition is impossible and reading is not enough, grammars and dictionaries are excellent for distraction.”
—Elizabeth Barrett Browning (1806–1861)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)