Literature
American author Philip Roth references Fanon's The Wretched of the Earth in his novel American Pastoral, including the work in a long list of revolutionary literature that the protagonist's daughter reads. Included in the novel is the famous passage from Fanon's work about Algerian women.
Salman Rushdie quotes Fanon in The Satanic Verses. The character Gibreel reference Fanon to express anti-British sentiment.
American author Tom Wolfe in his novel A Man in Full, a pivotal black character named Fareek "The Cannon" Fanon, who resists authority figures, and standards of conduct, and is also suspected of sexual assault, but his case never comes to trial.
Bolivian author Fausto Reinaga mentions The Wretched of the Earth in his magnum opus La Revolución India.
American president Barack Obama writes that he has read Fanon in Dreams from My Father (pp. 100–101): "To avoid being mistaken for a sellout, I chose my friends carefully. The more politically active black students. The foreign students. The Chicanos. The Marxist Professors and the structural feminists and punk-rock performance poets. We smoked cigarettes and wore leather jackets. At night, in the dorms, we discussed neocolonialism, Franz Fanon, Eurocentrism, and patriarchy. When we ground out our cigarettes in the hallway carpet or set our stereos so loud that the walls began to shake, we were resisting bourgeois society's stifling constraints. We weren't indifferent or careless or insecure. We were alienated."
Read more about this topic: Frantz Fanon, References in The Arts
Famous quotes containing the word literature:
“Many writers who choose to be active in the world lose not virtue but time, and that stillness without which literature cannot be made.”
—Gore Vidal (b. 1925)
“The function of literature, through all its mutations, has been to make us aware of the particularity of selves, and the high authority of the self in its quarrel with its society and its culture. Literature is in that sense subversive.”
—Lionel Trilling (1905–1975)
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)