Frank Secich - Songs Recorded By Other Artists

Songs Recorded By Other Artists

  • A Million Miles Away (Secich)-Michael Monroe-Finland, Japan
  • A Million Miles Away (Secich)-Simon Chainsaw & The Forgotten Boys-Brazil
  • A Thousand Years Ago (Drivere-Secich)-The Infidels-U.S., France, Spain
  • Abracadabra (Have You Seen Her?) (Secich-Bartolin)-The Records-U.S., England
  • Crime In The Streets (Cabaniss-Quinton-Secich) The Pop Machine
  • Don't Go Away (Zero-Secich) Stiv Bators France
  • Everywhere I Go (Secich)-Infidels
  • Everywhere I Go (Secich)-Billy Sullivan
  • Evil Boy (Secich-Zero)-Stiv Bators & The Evil Boys-Germany
  • I Wanna Forget You (Just The Way You Are) (Secich-Bators)-Adam Bomb (Music)-U.S., England
  • I'll Be Alright (Secich-Bators) Hundred Million Martians-Finland
  • The Last Year (Secich-Bators)-The Monotors-Spain
  • Not That Way Anymore (Secich-Bators)-Road Vultures
  • Not That Way Anymore (Secich-Bators) The Tragic Zeroes
  • Not That Way Anymore (Secich-Bators) Starpower
  • Not That Way Anymore (Secich-Bators) Nikki Sudden
  • The Girl Downstairs (Sullivan-Secich-Zero)-Billy Sullivan
  • Tonight's My Lucky Night (Secich-Bartolin)-Finkers-Australia, Japan
  • You Don't Go Away (Zero-Secich)-Vibeke Saugestad-Norway
  • You Don't Go Away (Zero-Secich)-Alpha Kitty

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Famous quotes containing the words songs, recorded and/or artists:

    The militancy of men, through all the centuries, has drenched the world with blood, and for these deeds of horror and destruction men have been rewarded with monuments, with great songs and epics. The militancy of women has harmed no human life save the lives of those who fought the battle of righteousness. Time alone will reveal what reward will be allotted to women.
    Emmeline Pankhurst (1858–1928)

    Fifty million Frenchmen can’t be wrong.
    —Anonymous. Popular saying.

    Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.

    As artists they’re rot, but as providers they’re oil wells; they gush. Norris said she never wrote a story unless it was fun to do. I understand Ferber whistles at her typewriter. And there was that poor sucker Flaubert rolling around on his floor for three days looking for the right word.
    Dorothy Parker (1893–1967)