Work
Paul's work is characterized by dramatic compositions (often involving enormous machines, robots or spaceships), bright or even garish colors, and a limited ability to depict human faces, especially the female ones. His early architectural training is also evident in his work.
Among his credits, Paul painted 38 covers for Amazing Stories from April 1926 to June 1929 and 7 for the Amazing Stories Annual and Quarterly; with several dozen additional issues featuring his art on the back cover (May 1939 to July 1946), and several issues from April 1961 to September 1968 featuring new or reproduced art. After Gernsback lost control of Amazing Stories in 1929, Paul followed him to the magazines Air Wonder Stories, Science Wonder Stories, and Wonder Stories and the associated quarterlies, which published 103 of his color covers from June 1929 to April 1936. Paul also painted covers for Planet Stories, Superworld Comics, Science Fiction magazine, and the first issue (October–November, 1939) of Marvel Comics. This last item featured the debuts of Human Torch and Sub-Mariner, and good copies sell at auction for twenty to thirty thousand dollars. All totaled, his magazine covers exceed 220.
His most famous Amazing Stories cover is probably that from August 1927, illustrating a reprint of H. G. Wells' The War of the Worlds.
Read more about this topic: Frank R. Paul
Famous quotes containing the word work:
“Madness is the absolute break with the work of art; it forms the constitutive moment of abolition, which dissolves in time the truth of the work of art.”
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“Mildred Pierce: You look down on me because I work for a living, don’t you? You always have. All right, I work. I cook food and sell it and make a profit on it, which, I might point out, you’re not too proud to share with me.
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“There is a hearty Puritanism in the view of human nature which pervades the instrument of 1787. It is the work of men who believed in original sin, and were resolved to leave open for transgressors no door which they could possibly shut.”
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