Frank R. Paul - Work

Work

Paul's work is characterized by dramatic compositions (often involving enormous machines, robots or spaceships), bright or even garish colors, and a limited ability to depict human faces, especially the female ones. His early architectural training is also evident in his work.

Among his credits, Paul painted 38 covers for Amazing Stories from April 1926 to June 1929 and 7 for the Amazing Stories Annual and Quarterly; with several dozen additional issues featuring his art on the back cover (May 1939 to July 1946), and several issues from April 1961 to September 1968 featuring new or reproduced art. After Gernsback lost control of Amazing Stories in 1929, Paul followed him to the magazines Air Wonder Stories, Science Wonder Stories, and Wonder Stories and the associated quarterlies, which published 103 of his color covers from June 1929 to April 1936. Paul also painted covers for Planet Stories, Superworld Comics, Science Fiction magazine, and the first issue (October–November, 1939) of Marvel Comics. This last item featured the debuts of Human Torch and Sub-Mariner, and good copies sell at auction for twenty to thirty thousand dollars. All totaled, his magazine covers exceed 220.

His most famous Amazing Stories cover is probably that from August 1927, illustrating a reprint of H. G. Wells' The War of the Worlds.

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Famous quotes containing the word work:

    In some withdrawn, unpublic mead
    Let me sigh upon a reed,
    Or in the woods, with leafy din,
    Whisper the still evening in:
    Some still work give me to do,—
    Only—be it near to you!
    For I’d rather be thy child
    And pupil, in the forest wild,
    Than be the king of men elsewhere,
    And most sovereign slave of care:
    To have one moment of thy dawn,
    Than share the city’s year forlorn.
    Henry David Thoreau (1817–1862)

    The best work of artists in any age is the work of innocence liberated by technical knowledge. The laboratory experiments that led to the theory of pure color equipped the impressionists to paint nature as if it had only just been created.
    Nancy Hale (b. 1908)

    Working women today are trying to achieve in the work world what men have achieved all along—but men have always had the help of a woman at home who took care of all the other details of living! Today the working woman is also that woman at home, and without support services in the workplace and a respect for the work women do within and outside the home, the attempt to do both is taking its toll—on women, on men, and on our children.
    Jeanne Elium (20th century)