Frank Freeman - Critical Appraisal

Critical Appraisal

Freeman's work has received high praise from architecture critics, most notably from Norval White who called him "Brooklyn's greatest architect"—an accolade frequently repeated, and that other critics have judged as not unreasonable. His work in the Richardsonian Romanesque style in particular has been singled out for attention. The 19th century critic Montgomery Schuyler credited him with "the most artistic examples of the Richardsonian Romanesque in our domestic architecture", while a 1979 report by New York's Landmarks Preservation Commission described his works in this style to be "among the finest built anywhere in New York City." He has been praised for his "fecund imagination" and "infinite versatility"—an example of the latter being his Brooklyn Savings Bank, a neoclassical design, considered by critic Francis Morrone to have been perhaps Freeman's finest work.

More generally, Freeman's "marvellously clear and direct" buildings "seem to speak to people, he gave them a sense of immediacy", according to historian Andrew Dolkart. Dolkart asserts that had Freeman practiced in Manhattan, "he'd be famous; but just because he worked in Brooklyn, no one's ever heard of him." Though known to have been a prolific architect, many of Freeman's buildings have been demolished or destroyed, which further contributed to his lack of recognition. Many of Freeman's surviving works are now protected by landmark status.