Works
Francis Stuart wrote many novels including Black List Section H (1971) ISBN 0-14-006229-7, his most well-known work which is heavily autobiographical. Most of his writing is now out of print.
We Have Kept the Faith, Dublin 1923
Women and God, London 1931
Pigeon Irish, London 1932
The Coloured Dome, London 1932
Try the Sky, London 1933
Glory, London 1933
Things to Live For: Notes for an Autobiography, London 1934
In Search of Love, London 1935
The Angels of Pity, London 1935
The White Hare, London 1936
The Bridge, London 1937
Julie, London 1938
The Great Squire, London 1939
Der Fall Casement, Hamburg 1940
The Pillar of Cloud, London 1948
Redemption, London 1949
The Flowering Cross, London 1950
Good Friday's Daughter, London 1952
The Chariot, London 1953
The Pilgrimage, London 1955
Victors and Vanquished, London 1958
Angels of Providence, London 1959
Black List Section H, Southern Illinois Univ. Press 1971
Memorial, London 1973
A Hole in the Head, London 1977
The High Consistory, London 1981
We Have Kept the Faith: New and Selected Poems, Dublin 1982
States of Mind, Dublin 1984
Faillandia, Dublin 1985
The Abandoned Snail Shell, Dublin 1987
Night Pilot, Dublin 1988
A Compendium of Lovers, Dublin 1990
Arrow of Anguish, Dublin 1995
King David Dances, Dublin 1996
Pamphlets
Nationality and Culture, Dublin 1924
Mystics and Mysticism, Dublin 1929
Racing for Pleasure and Profit in Ireland and Elsewhere, Dublin 1937
Plays
Men Crowd me Round, 1933
Glory, 1936
Strange Guests, 1940
Flynn's Last Dive, 1962
Who Fears to Speak, 1970
Additionally, Stuart authored many articles in various journals.
Read more about this topic: Francis Stuart
Famous quotes containing the word works:
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)
“Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of nature. The AEgean Sea is but Lake Huron still to the Indian.”
—Henry David Thoreau (1817–1862)