Francis Hutcheson (philosopher) - Aesthetics

Aesthetics

Hutcheson may further be regarded as one of the earliest modern writers on aesthetics. His speculations on this subject are contained in the Inquiry concerning Beauty, Order, Harmony and Design, the first of the two treatises published in 1725. He maintains that we are endowed with a special sense by which we perceive beauty, harmony and proportion. This is a reflex sense, because it presupposes the action of the external senses of sight and hearing. It may be called an internal sense, both to distinguish its perceptions from the mere perceptions of sight and hearing, and because "in some other affairs, where our external senses are not much concerned, we discern a sort of beauty, very like in many respects to that observed in sensible objects, and accompanied with like pleasure" (Inquiry, etc., sect. 1, XI). The latter reason leads him to call attention to the beauty perceived in universal truths, in the operations of general causes and in moral principles and actions. Thus, the analogy between beauty and virtue, which was so favourite a topic with Shaftesbury, is prominent in the writings of Hutcheson also. Scattered up and down the treatise there are many important and interesting observations that our limits prevent us from noticing. But to the student of mental philosophy it may be specially interesting to remark that Hutcheson both applies the principle of association to explain our ideas of beauty and also sets limits to its application, insisting on there being "a natural power of perception or sense of beauty in objects, antecedent to all custom, education or example" (see Inquiry, etc., sects. 6, 7; Hamilton's Lectures on Metaphysics, Lect. 44 ad fin.).

Hutcheson's writings gave rise to much controversy. To say nothing of minor opponents, such as "Philaretus" (Gilbert Burnet, already alluded to), Dr John Balguy (1686–1748), prebendary of Salisbury, the author of two tracts on "The Foundation of Moral Goodness", and Dr John Taylor (1694–1761) of Norwich, a minister of considerable reputation in his time (author of An Examination of the Scheme of Amorality advanced by Dr Hutcheson), the essays appear to have suggested, by antagonism, at least two works that hold a permanent place in the literature of English ethics—Butler's Dissertation on the Nature of Virtue, and Richard Price's Treatise of Moral Good and Evil (1757). In this latter work the author maintains, in opposition to Hutcheson, that actions are -in themselves right or wrong, that right and wrong are simple ideas incapable of analysis, and that these ideas are perceived immediately by the understanding. We thus see that, not only directly but also through the replies that it called forth, the system of Hutcheson, or at least the system of Hutcheson combined with that of Shaftesbury, contributed, in large measure, to the formation and development of some of the most important of the modern schools of ethics.

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Famous quotes containing the word aesthetics:

    What is the use of aesthetics if they can neither teach how to produce beauty nor how to appreciate it in good taste? It exists because it behooves rational human beings to provide reasons for their actions and assessments. Even if aesthetics are not the mathematics of beauty, they are the proof of the calculation.
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    For aesthetics is the mother of ethics.... Were we to choose our leaders on the basis of their reading experience and not their political programs, there would be much less grief on earth. I believe—not empirically, alas, but only theoretically—that for someone who has read a lot of Dickens to shoot his like in the name of an idea is harder than for someone who has read no Dickens.
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