Works
Already by 1530 Francesco's music was widely known and studied. A few of his works were published in France by Pierre Attaingnant in 1529, five volumes of lute music comprising mostly Francesco's works were published in Milan in 1536. There are many 16th and 17th century manuscript sources for his works, as well. Today, more than a hundred ricercars and fantasias (two terms used interchangeably in Francesco's oeuvre), some 30 intabulations and a few other pieces by Francesco are known. His music represents the transition from the loose improvisational style of his predecessors to the more refined polyphonic textures of later lute music. One of the defining characteristic features of Francesco's style is the manipulation and development of short melodic motifs within a "narrative" formal outline. Francesco was drawing on techniques found in contemporary vocal music, e.g. works by Josquin des Prez and composers of his generation. Aside from his influence on the development of lute music, he is also important for being among the first composers to create monothematic ricercars. Francesco's reputation today rests on his ricercars and fantasias, but contemporaries apparently held his intabulations of vocal works by other composers to be the best part of his oeuvre.
Read more about this topic: Francesco Canova Da Milano
Famous quotes containing the word works:
“The discovery of Pennsylvania’s coal and iron was the deathblow to Allaire. The works were moved to Pennsylvania so hurriedly that for years pianos and the larger pieces of furniture stood in the deserted houses.”
—For the State of New Jersey, U.S. public relief program (1935-1943)
“The subterranean miner that works in us all, how can one tell whither leads his shaft by the ever shifting, muffled sound of his pick?”
—Herman Melville (1819–1891)
“It [Egypt] has more wonders in it than any other country in the world and provides more works that defy description than any other place.”
—Herodotus (c. 484–424 B.C.)