Francesco Antonio Bonporti - Works

Works

This is a listing of his twelve opera, first the Italian original generally by Giuseppe Sala in Venice, then the French edition as published by Estienne Roger in Amsterdam and finally the English edition by John Walsh in London. Notice not every opus seem to have survived in all languages. As listed in an article published by Studi Trentini in 1973 by Clemente Lunelli. His sources on European editions are François Lesure's Bibliographie des éditions musicales publiées par Estienne Roger..., Paris, 1969, and William C. Smith's A bibliography of the musical works published by John Walsh..., London, 1968.

  • Op. 1 - Suonate a Tre. Due violini, e violoncello obligato..., 1696. Four parts.
    • Antoine Bomporti Gentilhomme di Trento opera prima, Sonate à tre, due Violini, Violoncello e basso continuo. N. 101, 1706, f. 4.0
  • Op. 2 -
    • Antonio Bomporti di Trento, opera seconda, Sonate da Camera à tre, due Violini e Basso continuo. N. 292, 1701, f. 3.10
    • Bonporti's Sonata or Chamber Aires in three Parts for two Violins and a Through Bass compos'd by Francisco Antonio Bomporti Opera Seconda (...) N. 266, c. 1708
    • Bomporti's Sonata or Chamber Aires (...) Opera Seconda. (...), N. 482, c. 1715
  • op. 3 - Motetti a canto solo, con violini (...), 1702. Five parts.
  • op. 4 -
    • Antonio Bomporti Opera Quarta, Sonate da Camera à tre, due Violini e basso continuo, N. 38, 1706, f. 40
    • Bomporti's Sonata or Chamber Aires (...) Opera Quarto (sic) (...), N. 267, c. 1708
  • op. 5 Arie, baletti e correnti c. 1704 (not extant)
  • op. 6 -
    • Antonio Bomporti, opera sexta, Sonate da Camera à tre, due Violini e basso continuo, N. 38, 1706, f. 4.0
  • op. 7 -
    • Bomporti opera settima sonate à Violino solo e basso continuo, N. 303, c. 1707-1708, f. 3.0
    • 10 Solos by Bomporti for a Violin and a Bass, (Walsh, P. Randall, J. Hare) N. 277d, 1708
    • (?)Bomportis Solos, for a Violin and a Bass, 4s. od., (Walsh) N. 603, c. 1720 or earlier
  • op. 8 - (given as lost)
    • Antonio Bomporti opera ottava, le Triomphe de la grande Aliance à Violon et basse continue, N. 120, c. 1708-1712, f. 2.0; also mentioned as Le Triomphe de la grande Aliance, consistent en cent Menuets, composez par Mr. Bomporti opera VIII
  • op. 9 -
    • Bomporti opera nona, Baletti à Violino solo e basso continuo,N. 413, f. 1.0; after 1716
  • op. 10 - Invenzioni a violino solo del (...), Venice-Trento, Giovanni Parone, 1713. Partiture.
    • Bomporti opera dècima inventione a Violino solo, e basso contin. (La Pace), N. 404, c. 1712-1715, f. 4.0
  • op. 11 - Concerti a quattro, due violini, alto viola, e basso con violino di rinforzo Trento, Giambattista Monauni, circa 1715. Five parts
  • op. 12 - Concertini e serenate con arie variate, siciliane, recitativi, e chiuse a violino, e violoncello, o cembalo, Habsburg, Johann Christian Leopold. Partiture.
  • Aria cromatica, e variata a violino violoncello, e cembalo..., manuscript in the library of the Bruxelles conservatoire, dated 1720. Partiture.
  • Sonata di Buonporti, manuscript, same as above. Two parts.
  • Six Sonate à deux Flutes et Basse continue, composées par Bomporti et transposées sur la Flute par Corbet, N. 65, c. 1707-1708, f. 3.0

Read more about this topic:  Francesco Antonio Bonporti

Famous quotes containing the word works:

    “In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.”
    —Samuel Richardson (1689–1761)

    “Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of nature. The AEgean Sea is but Lake Huron still to the Indian.”
    —Henry David Thoreau (1817–1862)

    “There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
    —Ralph Waldo Emerson (1803–1882)