Works
This is a listing of his twelve opera, first the Italian original generally by Giuseppe Sala in Venice, then the French edition as published by Estienne Roger in Amsterdam and finally the English edition by John Walsh in London. Notice not every opus seem to have survived in all languages. As listed in an article published by Studi Trentini in 1973 by Clemente Lunelli. His sources on European editions are François Lesure's Bibliographie des éditions musicales publiées par Estienne Roger..., Paris, 1969, and William C. Smith's A bibliography of the musical works published by John Walsh..., London, 1968.
- Op. 1 - Suonate a Tre. Due violini, e violoncello obligato..., 1696. Four parts.
- Antoine Bomporti Gentilhomme di Trento opera prima, Sonate à tre, due Violini, Violoncello e basso continuo. N. 101, 1706, f. 4.0
- Op. 2 -
- Antonio Bomporti di Trento, opera seconda, Sonate da Camera à tre, due Violini e Basso continuo. N. 292, 1701, f. 3.10
- Bonporti's Sonata or Chamber Aires in three Parts for two Violins and a Through Bass compos'd by Francisco Antonio Bomporti Opera Seconda (...) N. 266, c. 1708
- Bomporti's Sonata or Chamber Aires (...) Opera Seconda. (...), N. 482, c. 1715
- op. 3 - Motetti a canto solo, con violini (...), 1702. Five parts.
- op. 4 -
- Antonio Bomporti Opera Quarta, Sonate da Camera à tre, due Violini e basso continuo, N. 38, 1706, f. 40
- Bomporti's Sonata or Chamber Aires (...) Opera Quarto (sic) (...), N. 267, c. 1708
- op. 5 Arie, baletti e correnti c. 1704 (not extant)
- op. 6 -
- Antonio Bomporti, opera sexta, Sonate da Camera à tre, due Violini e basso continuo, N. 38, 1706, f. 4.0
- op. 7 -
- Bomporti opera settima sonate à Violino solo e basso continuo, N. 303, c. 1707-1708, f. 3.0
- 10 Solos by Bomporti for a Violin and a Bass, (Walsh, P. Randall, J. Hare) N. 277d, 1708
- (?)Bomportis Solos, for a Violin and a Bass, 4s. od., (Walsh) N. 603, c. 1720 or earlier
- op. 8 - (given as lost)
- Antonio Bomporti opera ottava, le Triomphe de la grande Aliance à Violon et basse continue, N. 120, c. 1708-1712, f. 2.0; also mentioned as Le Triomphe de la grande Aliance, consistent en cent Menuets, composez par Mr. Bomporti opera VIII
- op. 9 -
- Bomporti opera nona, Baletti à Violino solo e basso continuo,N. 413, f. 1.0; after 1716
- op. 10 - Invenzioni a violino solo del (...), Venice-Trento, Giovanni Parone, 1713. Partiture.
- Bomporti opera dècima inventione a Violino solo, e basso contin. (La Pace), N. 404, c. 1712-1715, f. 4.0
- op. 11 - Concerti a quattro, due violini, alto viola, e basso con violino di rinforzo Trento, Giambattista Monauni, circa 1715. Five parts
- op. 12 - Concertini e serenate con arie variate, siciliane, recitativi, e chiuse a violino, e violoncello, o cembalo, Habsburg, Johann Christian Leopold. Partiture.
- Aria cromatica, e variata a violino violoncello, e cembalo..., manuscript in the library of the Bruxelles conservatoire, dated 1720. Partiture.
- Sonata di Buonporti, manuscript, same as above. Two parts.
- Six Sonate à deux Flutes et Basse continue, composées par Bomporti et transposées sur la Flute par Corbet, N. 65, c. 1707-1708, f. 3.0
Read more about this topic: Francesco Antonio Bonporti
Famous quotes containing the word works:
“I believe it has been said that one copy of The Times contains more useful information than the whole of the historical works of Thucydides.”
—Richard Cobden (18041865)
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (18561950)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)