Frances Trollope - Writing Career

Writing Career

On her return to England, Trollope began writing and gained notice with her first book, Domestic Manners of the Americans (1832). She gave an unfavourable and, in the opinions of partisans of America, exaggerated account of the subject. She was thought to reflect the disparaging views of American society allegedly commonplace at that time among English people of the higher social classes. The book is also acerbic and witty. Her novel, The Refugee in America (1832), expressed similar views.

Next came The Abbess (1833), an anti-Catholic novel, as was Father Eustace (1847). While they borrowed from Victorian Gothic conventions, the scholar Susan Griffin notes that Trollope wrote a Protestant critique of Catholicism that also expressed "a gendered set of possibilities for self-making", which has been little recognized by scholars. She noted that "Modernism's lingering legacy in criticism meant overlooking a woman's nineteenth century studies of religious controversy."

Trollope wrote more travel works, such as Belgium and Western Germany in 1833 (1834), Paris and the Parisians in 1835 (1836), and Vienna and the Austrians (1838).

She received more attention during her lifetime for what are considered several strong novels of social protest: Jonathan Jefferson Whitlaw (1836) was the first anti-slavery novel, influencing the American Harriet Beecher Stowe's Uncle Tom's Cabin (1852). Michael Armstrong: Factory Boy began publication in 1840 and was the first industrial novel to be published in Britain. Other socially conscious novels included The Vicar of Wrexhill (1837 / Richard Bentley, London, 3 volumes), which took on corruption in the Church of England and evangelical circles. Possibly her greatest work is the Widow Barnaby trilogy (1839–1855). This set a pattern of sequels which her son Anthony Trollope also used in his oeuvre.

In later years Mrs. Trollope continued to write novels and books on miscellaneous subjects, writing in all over 100 volumes. She was considered to have powers of observation and a sharp and caustic wit, but her prolific production and the rise of modernist criticism caused her works to be overlooked in the twentieth century. Few of her books are now read, but her first and two others are available on Project Gutenberg. For a full list of her works, see Frances Trollope bibliography.

After the death of her husband and daughter, in 1835 and 1838 respectively, Trollope relocated to Florence, Italy, where she lived until her death in 1863. She was buried near four other members of the Trollope household in the English Cemetery of Florence.