Frances Goodrich - Career

Career

Not long after marrying screenwriter Albert Hackett, the couple went to Hollywood in the late 1920s to write the screenplay for their stage success Up Pops the Devil for Paramount Pictures. In 1933 they signed a contract with MGM and remained with them until 1939. Among their earliest assignments was writing the screenplay for The Thin Man (1934). They were encouraged by the director W. S. Van Dyke to use the writing of Dashiell Hammett as a basis only, and to concentrate on providing witty exchanges for the principal characters, Nick and Nora Charles (played by William Powell and Myrna Loy). The resulting film was one of the major hits of the year, and the script, considered to show a modern relationship in a realistic manner for the first time, was considered to be groundbreaking. However this is only because it was written and released before the enactment of the Hollywood Production Code, which strictly censored movies from mid-1934 until the early 1960s (see Pre-Code). The other Nick and Nora films show a steep decline regarding the "groundbreaking maturity" of the Charles' marriage.

They received Academy Award for Screenplay nominations for The Thin Man, After the Thin Man (1936), Father of the Bride (1950) and Seven Brides for Seven Brothers (1955). They won Writers Guild of America awards for Easter Parade (1949), Father's Little Dividend (1951), Seven Brides for Seven Brothers (1954), and The Diary of Anne Frank (1959), as well as nominations for In the Good Old Summertime (1949), Father of the Bride (1950) and The Long, Long Trailer (1954). They also won a Pulitzer Prize for Drama for their original play The Diary of Anne Frank. Some of their other films include: Another Thin Man (1939) and It's a Wonderful Life (1946).

Read more about this topic:  Frances Goodrich

Famous quotes containing the word career:

    It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.
    Thomas Henry Huxley (1825–95)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)