Forty-Five Minutes From Broadway is a three-act musical by George M. Cohan written about New Rochelle, New York. The play's title refers to the 45-minute train ride from New Rochelle to Broadway.
The play debuted on January 1, 1906 at the New Amsterdam Theatre and ran for 90 performances before closing on March 17. The role of Mary Jane Jenkins was created by Fay Templeton and Kid Burns was played by Victor Moore. The musical re-opened later the same year, on November 5, at the New York Theatre with the cast almost entirely intact. It played there for an additional 32 performances before closing on December 1. Its only other Broadway revival occurred from March 14 to April 13, 1912 at the George M. Cohan Theatre, where it ran for 36 performances with a different cast.
The play is remembered for several songs, such as its title song, "Forty-five Minutes from Broadway", originally sung by Moore, and for tunes about its leading lady character, "Mary Is a Grand Old Name" and "So Long Mary", both sung in the debut production by Templeton, which were presented in recreations of the original stage play within the 1942 film Yankee Doodle Dandy.
Famous quotes containing the words forty-five, minutes and/or broadway:
“These native villages are as unchanging as the woman in one of their stories. When she was called before a local justice he asked her age. “I have 45 years.” “But,” said the justice, “you were forty-five when you appeared before me two years ago.” “Señor Judge,” she replied proudly, drawing herself to her full height, “I am not of those who are one thing today and another tomorrow!””
—State of New Mexico, U.S. public relief program (1935-1943)
“The death of William Tecumseh Sherman, which took place to-day at his residence in the city of New York at 1 o’clock and 50 minutes p.m., is an event that will bring sorrow to the heart of every patriotic citizen. No living American was so loved and venerated as he.”
—Benjamin Harrison (1833–1901)
“We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.”
—James Thurber (1894–1961)