Fort Shelby Hotel - Architecture

Architecture

At a news conference on June 26, 2007, it was officially announced the renovation by Ann Arbor Architectural firm Hobbs + Black Associates Inc. would commence. It reopened under the name "Doubletree Guest Suites Fort Shelby/Detroit Downtown" on December 15, 2008 with 203 guest suites and the upper floors consisting of 56 apartments. The hotel features a 21,000-square-foot (2,000 m2) conference center with two ballrooms and 17 Breakout rooms.

Preliminary preparation for renovation work began in June 2006. It consisted of structural evaluations, asbestos clean-up and environmental tests. Now complete, the hotel is the DoubleTree Guest Suites - Fort Shelby with 204 suites, an IACC-approved conference center, 66 apartments on the upper half of the building, a full-service restaurant and lounge, fitness center and concierge. The main ballroom was restored to its original state. The parapet that surrounds the main roof deck rises 3'-6" above the roof. Financing for renovation closed in early May 2007, construction work on the hotel started later that month.

The original 1916 building was designed by Schmidt, Garden & Martin and the 1927 addition by Albert Kahn. The building was constructed in two phases completed in 1916 and 1927 . It stands at 22 stories in height, with one basement floor, for a total of 23. It was designed in the Beaux-Arts architectural style. It incorporates brick and limestone as its main materials.

Read more about this topic:  Fort Shelby Hotel

Famous quotes containing the word architecture:

    Art is a jealous mistress, and, if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider.
    Ralph Waldo Emerson (1803–1882)

    The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.
    Federico García Lorca (1898–1936)

    They can do without architecture who have no olives nor wines in the cellar.
    Henry David Thoreau (1817–1862)