Staff
Greg Campbell was the editor-in-chief. He is the author of three books, The Road to Kosovo: A Balkan Diary, Blood Diamonds: Tracing the Deadly Path of the World's Most Precious Stones, and FLAWLESS: Inside the Largest Diamond Heist in History.
Andra Coberly was the managing editor. She is a Fort Collins native and graduate of the California Polytechnic State University at San Luis Obispo. She won a first place award from the Society of Professional Journalists for her coverage of methamphetamine use in Fort Collins.
Regular freelance writers included Kurt Brighton, who covered arts and entertainment; Thomas Delapa, film critic and film curator of the Denver Art Museum; columnist Andrew Boucher, who covered local politics from a conservative angle; historian Barbara Fleming; reporter Connie Pfeiffenberger, the former co-owner of Fort Collins' Triangle Review; travel writer Lisa Parker; Susan Schaibly, arts reporter and book reviewer, and Mike Nelson, meteorologist for KMGH-TV Channel 7. Syndicated content included poetry edited by former U.S. Poet Laureate Ted Kooser, astrology by Rob Brezsny and the Newsday crossword puzzle.
Fort Collins Weekly was headed by publisher Joel Dyer and associate publisher Paul Dyer. Sherri Hageman was the art director. Brooke Hupp was director of accounting. Raymond Amos, Rob Seligmann, Lauren Fuller and Laura Diane Moore were advertising sales representatives. David Hutton was classified sales manager and circulation manager.
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Famous quotes containing the word staff:
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Like Walt Whitman walking along a ruddy shore.
He is singing and chanting the things that are part of him,
The worlds that were and will be, death and day.
Nothing is final, he chants. No man shall see the end.
His beard is of fire and his staff is a leaping flame.”
—Wallace Stevens (1879–1955)
“For the first fourteen years for a rod they do whine,
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—Thomas Tusser (c. 1520–1580)
“In public buildings set aside for the care and maintenance of the goods of the middle ages, a staff of civil service art attendants praise all the dead, irrelevant scribblings and scrawlings that, at best, have only historical interest for idiots and layabouts.”
—George Grosz (1893–1959)