Music
The music for the original French version of Fort Boyard was composed by Paul Koulak, a French music composer. He composed the main themes for the show as well as the incidental music and game music that is used throughout the show. His music has been used for every version of Fort Boyard around the world, except the German version, where they composed their own music for the show and games.
Up to 2011, six different opening theme songs have been used on the show; the first was used until 1994, the second in 1995, the third from 1996–2000, the fourth in 2001 and 2002 (used by the UK in 2003 during the Treasure Room), the "Dance Version" (used by France during the end credits of the night editions in 1996 and the UK from 1999 to 2001) and the current theme song which was introduced in the 2003 French version. Fort Boyard Ultimate Challenge uses a different opening theme and game music but does use the recent French opening credits and logo.
Some of the original music for Fort Boyard was released on CD in France, both on CD single and CD album form, in 1999. Tracks that featured on these CDs include:
- Fort Boyard Main Title Theme
- Fort Boyard Main Theme, Dance Version
- March of the Tigers
- The Cable Cycle
- From One Point in the Course to Another
Read more about this topic: Fort Boyard (TV Series)
Famous quotes containing the word music:
“The dignity of art probably appears most eminently with music since it does not have any material that needs to be discounted. Music is all form and content and elevates and ennobles everything that it expresses.”
—Johann Wolfgang Von Goethe (17491832)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well knownit was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboys pony.”
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.”
—Johann Wolfgang Von Goethe (17491832)