Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| NME | |
In his critical review for Allmusic, Stephen Erlewine writes that Depeche Mode songs are "difficult to cover without replicating the original arrangements" and that only a few bands succeed in making the songs their own. He singles out the versions from Smashing Pumpkins, The Cure, Gus Gus, and Rammstein, stating that "they're almost good enough to make the overall mediocrity of the album worthwhile."
NME states that this tribute album is "not about investigating Depeche Mode's legacy, but massaging swollen egos". The Smashing Pumpkins and The Cure are commended for attempting something different while the rest of the entries fail in adding their own twist to the songs and are hoping for "some controversy-free exposure".
Read more about this topic: For The Masses
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)