Production
The base for the work is a human skull bought in a shop in Islington. It is thought to be that of a European living between 1720 and 1810. The work's title was supposedly inspired by Hirst's mother, who once asked, “For the love of God, what are you going to do next?”
Designed and sculpted by Jack du Rose and manufactured by the picadilly jewellers Bentley & Skinner, 8,601 flawless pavé-laid diamonds, weighing in total 1,106.18 carats (221.24 g), over a platinum cast, cover the entirety of the skull. At the centre of the forehead lies a pear-shaped pink diamond, the centrepiece of the work. All diamonds used for the work are said to be ethically sourced.
Hirst stated the idea for the work came from an Aztec turquoise skull at the British Museum.
Artist John LeKay, a friend of Hirst's in the early 1990s, said the work is based on a skull covered with crystals which LeKay had made in 1993. LeKay said, "When I heard he was doing it, I felt like I was being punched in the gut. When I saw the image online, I felt that a part of me was in the piece. I was a bit shocked."
-
An example of an Aztec mask in turquoise inlay and other materials, British Museum
-
Spiritus Callidus #2 by John LeKay, 1993, crystal skull
Read more about this topic: For The Love Of God (artwork)
Famous quotes containing the word production:
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)
“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
—Calvin Coolidge (1872–1933)
“The society based on production is only productive, not creative.”
—Albert Camus (1913–1960)