Focus (Cynic Album) - Overview and Musical Approach

Overview and Musical Approach

After years of being hailed as promising in Florida's death metal scene, Cynic recorded Focus. The result was an album combining their love of death metal with other influences, notably jazz-fusion. Instead of choosing the brutal and hard-hitting approach to metal like most of their contemporaries, Focus takes an experimental stance to music.

Although being often dubbed progressive metal, the musical approach on Focus has arguably even more in common with jazz than it has with the progressive metal or progressive rock movements, leading some to coin the term "jazz metal" to describe the music. Elements of both can be found: progressive rock/metal is reflected in some song structures and occasional odd-time meters, while jazz influences are evident in some harmonic and rhythmic phenomena. The songs alternate between harsh death metal parts and more serene, smoother passages. In general, the parts flow smoothly into each other instead of making abrupt, sudden transitions. In addition to being rather complex rhythmically, the songs also feature an advanced approach to harmony. The vocal melodies are mostly simple and linear, leaving a lot of melodic space for the guitars and even bass instead.

The most distinct feature on the album is the use of two types of main vocals, almost equally prominent. In a traditional death metal vein, the album features a hoarse, guttural, growling voice - death grunts - courtesy of keyboardist Tony Teegarden. Lead singer Paul Masvidal was in danger of losing his voice at the time and thus did not perform the growling vocals himself. The other main type of vocal output is Masvidal singing through a vocoder-type effect, resulting in a synthesized voice with a robotic quality.

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