Moves
Kings, queens, and pawns may not go to the higher level. They move as in standard chess, but can also capture an enemy piece that is flying on the square directly above them.
Rooks are among the three pieces that can "fly". They can move on, to, and from the higher level. A rook can make a normal move on any of the two levels: note that the squares it passes over must be empty on the level he moves in. Additionally, a rook can go up when moving on the ground level by making a normal move and then moving diagonally up in the direction the rook moves. They also can go up directly one level. The only way a rook can go down from the upper to the lower level is to directly move one square down.
Bishops are also among the three pieces that can "fly". A bishop can make a standard move on any of the two levels. It can make a normal move on the higher level and then descend diagonally in the direction of movement, or go up from a ground square to the upper level square directly above it, or go down from an upper level square to the ground square immediately below it.
Knights are the third type of "flying" piece. A knight can either make a normal move in any level, or a knight can move in the upper level combined with a direct descend.
Read more about this topic: Flying Chess
Famous quotes containing the word moves:
“What is this love that more than all the cursed deadly or any other of its great movers so moves the soul and soul what is this soul that more than by any of its great movers is by love so moved?”
—Samuel Beckett (1906–1989)
“The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move. This is the artist’s way of scribbling “Kilroy was here” on the wall of the final and irrevocable oblivion through which he must someday pass.”
—William Faulkner (1897–1962)
“The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.”
—Imamu Amiri Baraka (b. 1934)