Critical Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| BBC Music | (very favourable) |
| Robert Christgau | B− |
| The Rolling Stone Album Guide | |
| SputnikMusic | |
Writing in the NME in 1978, Nick Kent claimed the album "had a compelling appeal that often transcended the hoary weightiness of the mammoth concept that held the equally mammoth four sides of vinyl together."
In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album came No.14 in its list of "40 Cosmic Rock Albums".
The album came 9th in Uncut's "10 best concept albums", where it was described as an "impressionistic, intense album" and "pure theatre (in a good way) and still Gabriel's best work".
In 2012, the album ranked fifth in Rolling Stone's "Readers' Poll: Your Favorite Prog Rock Albums of All Time".
The album's dense lyrical and musical complexity is the subject of a book authored by Kevin Holm-Hudson, a professor of music theory. Holm-Hudson writes, "...The Lamb emerges as one of the richest creative works of the 1970s."
Read more about this topic: Fly On A Windshield
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