Production
This film reuses almost all the cabin interior details from Rocketship X-M (Lippert Pictures, 1950, and filmed at another studio), except for some of the flight instruments. Even the spaceflight noises are reused. Similarly, the concepts of spaceflight are those postulated in that earlier film.
The main differences are this film postulates a planned flight to Mars, whereas the earlier film postulates an accidental flight to Mars, which accident occurs during a planned flight to the Moon.
Additionally, this film postulates a Martian species which is in many ways superior to Mankind, and poses a long-term, strategic threat there to, whereas the earlier film postulates a Martian species which is pre-literate, and a throw-back, as a consequence of a global nuclear holocaust which occurred many millennia earlier, and poses only an immediate, tactical threat to the voyagers.
A sequel, Voyage to Venus was proposed but never made.
Read more about this topic: Flight To Mars (film)
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (18091882)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)