Songs
Parts of the album reflected a darker, more serious side to the band, touching themes such as hard times and overcoming them ("Valley of Lost Souls", "Life Loves A Tragedy", "Come Hell Or High Water"), missing loved ones ("Life Goes On"), long-term relationships ("Don’t Give Up an Inch", "Ball and Chain"), and disillusionment ("Something to Believe In"). The fun side of the band remained intact, however, in tracks dealing with sex ("(Flesh & Blood) Sacrifice", "Unskinny Bop"), exhilaration from music or motorbikes ("Let It Play", "Ride the Wind"), and tongue-in-cheek poverty ("Poor Boy Blues").
The meaning of "Unskinny Bop", one of the band's most popular songs, has always been shrouded in obscurity. DeVille later confessed that the phrase "unskinny bop" has no particular meaning. He invented it as a temporary measure while writing the song, before vocalist Bret Michaels had begun working on the lyrics. The phrase was used on the basis that it was phonetically suited to the music. The song was later played to producer Fairbairn, who stated that although he did not know what an "unskinny bop" was, the phrase was perfect.
Read more about this topic: Flesh & Blood (Poison Album)
Famous quotes containing the word songs:
“Heaven has a Sea of Glass on which angels go sliding every afternoon. There are many golden streets, but the principal thoroughfares are Amen Street and Hallelujah Avenue, which intersect in front of the Throne. These streets play tunes when walked on, and all shoes have songs in them.”
—For the State of Florida, U.S. public relief program (1935-1943)
“Music is so much a part of their daily lives that if an Indian visits another reservation one of the first questions asked on his return is: “What new songs did you learn?””
—Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)
“Let me make the superstitions of a nation and I care not who makes its laws or its songs either.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)