Songs
Parts of the album reflected a darker, more serious side to the band, touching themes such as hard times and overcoming them ("Valley of Lost Souls", "Life Loves A Tragedy", "Come Hell Or High Water"), missing loved ones ("Life Goes On"), long-term relationships ("Don’t Give Up an Inch", "Ball and Chain"), and disillusionment ("Something to Believe In"). The fun side of the band remained intact, however, in tracks dealing with sex ("(Flesh & Blood) Sacrifice", "Unskinny Bop"), exhilaration from music or motorbikes ("Let It Play", "Ride the Wind"), and tongue-in-cheek poverty ("Poor Boy Blues").
The meaning of "Unskinny Bop", one of the band's most popular songs, has always been shrouded in obscurity. DeVille later confessed that the phrase "unskinny bop" has no particular meaning. He invented it as a temporary measure while writing the song, before vocalist Bret Michaels had begun working on the lyrics. The phrase was used on the basis that it was phonetically suited to the music. The song was later played to producer Fairbairn, who stated that although he did not know what an "unskinny bop" was, the phrase was perfect.
Read more about this topic: Flesh & Blood (Poison Album)
Famous quotes containing the word songs:
“So do not be foolish, but understand what the will of the Lord is. Do not get drunk with wine, for that is debauchery; but be filled with the Spirit, as you sing psalms and hymns and spiritual songs among yourselves, singing and making melody to the Lord in your hearts, giving thanks to God the Father at all times and for everything in the name of our Lord Jesus Christ.”
—Bible: New Testament, Ephesians 5:17-20.
“When I am dead, my dearest, Sing no sad songs for me;
Plant thou no roses at my head, Nor shady cypress tree:
Be the green grass above me With showers and dewdrops wet;
And if thou wilt, remember, And if thou wilt, forget.”
—Christina Georgina Rossetti (1830–1894)
“Dylan is to me the perfect symbol of the anti-artist in our society. He is against everything—the last resort of someone who doesn’t really want to change the world.... Dylan’s songs accept the world as it is.”
—Ewan MacColl (1915–1989)