Songs
Parts of the album reflected a darker, more serious side to the band, touching themes such as hard times and overcoming them ("Valley of Lost Souls", "Life Loves A Tragedy", "Come Hell Or High Water"), missing loved ones ("Life Goes On"), long-term relationships ("Don’t Give Up an Inch", "Ball and Chain"), and disillusionment ("Something to Believe In"). The fun side of the band remained intact, however, in tracks dealing with sex ("(Flesh & Blood) Sacrifice", "Unskinny Bop"), exhilaration from music or motorbikes ("Let It Play", "Ride the Wind"), and tongue-in-cheek poverty ("Poor Boy Blues").
The meaning of "Unskinny Bop", one of the band's most popular songs, has always been shrouded in obscurity. DeVille later confessed that the phrase "unskinny bop" has no particular meaning. He invented it as a temporary measure while writing the song, before vocalist Bret Michaels had begun working on the lyrics. The phrase was used on the basis that it was phonetically suited to the music. The song was later played to producer Fairbairn, who stated that although he did not know what an "unskinny bop" was, the phrase was perfect.
Read more about this topic: Flesh & Blood (Poison Album)
Famous quotes containing the word songs:
“Dylan is to me the perfect symbol of the anti-artist in our society. He is against everything—the last resort of someone who doesn’t really want to change the world.... Dylan’s songs accept the world as it is.”
—Ewan MacColl (1915–1989)
“In her days every man shall eat in safety
Under his own vine what he plants, and sing
The merry songs of peace to all his neighbors.”
—William Shakespeare (1564–1616)
“People fall out of windows, trees tumble down,
Summer is changed to winter, the young grow old
The air is full of children, statues, roofs
And snow. The theatre is spinning round,
Colliding with deaf-mute churches and optical trains.
The most massive sopranos are singing songs of scales.”
—Wallace Stevens (1879–1955)