Film and Television Appearances
Flea has pursued a minor acting career since the mid 1980s. His first role was as young punk Razzle in the Penelope Spheeris film Suburbia (1984). Shortly thereafter he starred alongside the Chili Peppers, who played themselves, in the skate drama Thrashin' (1986). He played the ill-fated punker Milo in another Penelope Spheeris film, Dudes (1987). He also made an appearance in the Bruce Weber documentary film about the life and career of jazz trumpeter Chet Baker entitled Let's Get Lost (film) (1988). He portrayed the character Needles in Back to the Future Part II (1989) and Back to the Future Part III (1990), though in an interview he referred to Part II as "a multi-million dollar piece of trash".
Flea played a minor role in the 1991 independent film My Own Private Idaho as the character Budd. He played a number of minor roles in films throughout the 1990s, including Son in Law (1993) as a tattoo artist, The Chase (1994) as a monster truck driver, Fear and Loathing in Las Vegas (1997) as a hippie, in The Big Lebowski (1998) as a German nihilist and the 1998 remake of Psycho. He has also lent his voice to the animated series The Wild Thornberrys as the character Donnie.
In 1991 the Red Hot Chili Peppers released a black and white film documenting the recording of Blood Sugar Sex Magik titled Funky Monks. They have released two video concerts, Off the Map in 2001 and Live at Slane Castle in 2003—the latter of which had over eighty thousand attendees.
Flea has also appeared in television broadcasts with Red Hot Chili Peppers on several occasions. Several months before Frusciante's departure in 1992, the band performed two songs on Saturday Night Live — Kiedis felt the show was an embarrassment due to the guitarist; he believed, that Frusciante purposely played the song out of tune and incorrectly. Later that year, the band appeared in the popular animated comedy The Simpsons on the episode "Krusty Gets Kancelled". At Woodstock 1994, Kiedis proposed the band perform the first few songs in metallic suits with giant light bulbs placed on their heads. Flea was initially reluctant but eventually agreed: "... when we got to play, the energy of the whole thing took over."
In 2011, Flea appeared in the documentary, Bob and the Monster. The film details the life of musician and drug counselor Bob Forrest.
Flea appeared in the documentary The Other F Word, which aired on Showtime and was released through Oscilloscope Laboratories (a company founded by Adam Yauch). The documentary, which was directed by Andrea Blaugrund Nevins, focused on a generation of punk rockers, how they have handled fatherhood, and how they went from public rebel to domestic authority figure. Mark Hoppus, Jim Lindberg, Art Alexakis and Mark Mothersbaugh were also featured.
Flea is also mentioned (alongside Slash and Ozzy Osbourne) in the popular Super Nintendo game Chrono Trigger. He is encountered throughout the game as a henchman to Ozzy, who is one of the game's antagonists.
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Famous quotes containing the words film, television and/or appearances:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)
“It is doubtless wise, when a reform is introduced, to try to persuade the British public that it is not a reform at all; but appearances must be kept up to some extent at least.”
—George Bernard Shaw (1856–1950)