Flag of Kansas - History

History

The flag of Kansas was designed in 1925. Officially adopted by the Kansas State Legislature in 1927 and modified in 1961 (the word "Kansas" was added below the seal in gold block lettering). First flown at Fort Riley by Governor Benjamin S. Paulen in 1927 for the troops at Fort Riley and for the Kansas National Guard.

From 1925 to 1927, Kansas used a state banner instead of a flag. The Kansas state banner, which consisted of a large sunflower and the word "Kansas" on a blue field, was intended to be hung from a horizontal bar, rather than a vertical flag pole. It was given a unique design to avoid "competition" with the United States flag. However, after the banner was rejected for display in Washington, D.C., and generated complaints for its awkward method of hanging, the state legislature adopted a state flag that saw the addition of the word "Kansas" at the bottom in 1961 but has otherwise retained its original design.

According to the North American Vexillological Association (NAVA), the state banner exists today as an official alternative to the state flag. The organization's website features the banner – a lone sunflower on a blue field – and attributes it to Adjutant General Joe Nickell. However, the Kansas State Historical Society describes the same design as a flag submitted by Albert T. Reid before the state banner was adopted, and makes no mention of its status as an alternative flag.

NAVA named the flag of Kansas the fourth worst flag out of all the flags of the provinces of Canada, the U.S. states and U.S. territories. It was named 69th best out of a field of 72.

Read more about this topic:  Flag Of Kansas

Famous quotes containing the word history:

    Properly speaking, history is nothing but the crimes and misfortunes of the human race.
    Pierre Bayle (1647–1706)

    History takes time.... History makes memory.
    Gertrude Stein (1874–1946)

    Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
    Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)