Five Points, Manhattan - Gangs of New York

Gangs of New York is a 2002 historical film set in the mid-19th century in the Five Points district of New York City. It was directed by Martin Scorsese and written by Jay Cocks, Steven Zaillian, and Kenneth Lonergan. The film was inspired by Herbert Asbury's 1928 nonfiction book, The Gangs of New York. It was made in Cinecittà, Rome, distributed by Miramax Films and nominated for numerous awards, including the Academy Award for Best Picture.

The film begins in 1846 and quickly jumps to 1862. The two principal issues of the era in New York were Irish immigration to the city and the Federal government's execution of the ongoing Civil War. The story follows gang leader William "the Butcher" Cutting (Daniel Day-Lewis) in his roles as crime boss and political kingmaker under the helm of "Boss" Tweed (Jim Broadbent). The film culminates in a violent confrontation between Cutting and his mob with the protagonist Amsterdam Vallon (Leonardo DiCaprio) and his immigrant allies, which coincides with the New York City draft riots of 1863.

In another film reference, in The Sting, mob boss Doyle Lonnegan (Robert Shaw) is known to come from Five Points; as part of the plan to gain Lonnegan's confidence, Johnny Hooker (Robert Redford) claims to be from the same neighborhood.

Read more about this topic:  Five Points, Manhattan

Famous quotes containing the words gangs and/or york:

    The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.
    Federico García Lorca (1898–1936)

    It is wrong to be harsh with the New York critics, unless one admits in the same breath that it is a condition of their existence that they should write entertainingly about something which is rarely worth writing about at all.
    Raymond Chandler (1888–1959)