Design Theory
Ty Beard designed FFT after becoming frustrated with existing modern wargames like Combined Arms by Game Designers' Workshop (GDW). He felt that most were too slow and tended to focus on minutiae rather than on the important concepts. The particular event that caused him to take the plunge was an 8 hour game of Combined Arms that only resolved 4 turns and ended in a draw when the players all had to go home.
In Ty’s game design paradigm, there is a finite amount of detail that can be crammed into a game before it becomes unplayable. This means that game designers must ration the amount of detail and abstract anything that isn’t critical to the game. In the case of FFT, this meant for instance that the vehicle combat system is fairly detailed, while the rules for counterbattery fire are pretty abstract.
In addition, he believed that speed of play was critical in any simulation of modern warfare. So he ruthlessly streamlined every FFT subsystem to speed play. As a result, turns typically take only 10 minutes or so. A 2 player battle between a US battalion task force and a Soviet regiment usually takes 1-3 hours. And since Ty designed FFT to easily accommodate multiple players on a side, it usually takes the same amount of time to fight much larger battles.
Hundreds of players have provided priceless feedback but three other major contributors are recognized: Dave Burnett, Paul Minson, and Bob Mackenzie.
Read more about this topic: Fistful Of TOWs
Famous quotes containing the words design and/or theory:
“If I knew for a certainty that a man was coming to my house with the conscious design of doing me good, I should run for my life ... for fear that I should get some of his good done to me,some of its virus mingled with my blood.”
—Henry David Thoreau (18171862)
“We have our little theory on all human and divine things. Poetry, the workings of genius itself, which, in all times, with one or another meaning, has been called Inspiration, and held to be mysterious and inscrutable, is no longer without its scientific exposition. The building of the lofty rhyme is like any other masonry or bricklaying: we have theories of its rise, height, decline and fallwhich latter, it would seem, is now near, among all people.”
—Thomas Carlyle (17951881)