Rejection
Within a generation, Frank Furness's exuberant masterwork was considered an embarrassment. The University Museum moved to its own building in 1899. In 1915, the Durhing Wing was built at the south end of the stacks, making their designed expansion impossible. Robert Rodes McGoodwin drew up plans to cloak the entire building in sedate Collegiate Gothic brick and stone. The first step toward this was the 1931 addition of a reading room facing College Green (now the Arthur Ross Gallery) that masked the iron-and-glass stacks. Almost perversely, McGoodwin's incongruous Collegiate Gothic addition was dedicated as a memorial to Horace Howard Furness.
The building served as the main library of the University of Pennsylvania until the construction of Van Pelt Library in 1962. Today it houses collections related to architecture, landscape architecture, city and regional planning, historic preservation, history of art, and studio arts.
Read more about this topic: Fisher Fine Arts Library
Famous quotes containing the word rejection:
“As between these two, the need that in its haste to be abolished cannot pause to be stated and the need that is the absolute predicament of particular human identity, one does not presume to suggest a relation of worth. Yet the distinction is perhaps not idle, for it is from the failure to make it that proceeds the common rejection as “obscure” of most that is significant in modern music, painting and literature.”
—Samuel Beckett (1906–1989)
“By Modernism I mean the positive rejection of the past and the blind belief in the process of change, in novelty for its own sake, in the idea that progress through time equates with cultural progress; in the cult of individuality, originality and self-expression.”
—Dan Cruickshank (b. 1949)
“He began therefore to invest the fortress of my heart by a circumvallation of distant bows and respectful looks; he then entrenched his forces in the deep caution of never uttering an unguarded word or syllable. His designs being yet covered, he played off from several quarters a large battery of compliments. But here he found a repulse from the enemy by an absolute rejection of such fulsome praise, and this forced him back again close into his former trenches.”
—Sarah Fielding (1710–1768)