Rejection
Within a generation, Frank Furness's exuberant masterwork was considered an embarrassment. The University Museum moved to its own building in 1899. In 1915, the Durhing Wing was built at the south end of the stacks, making their designed expansion impossible. Robert Rodes McGoodwin drew up plans to cloak the entire building in sedate Collegiate Gothic brick and stone. The first step toward this was the 1931 addition of a reading room facing College Green (now the Arthur Ross Gallery) that masked the iron-and-glass stacks. Almost perversely, McGoodwin's incongruous Collegiate Gothic addition was dedicated as a memorial to Horace Howard Furness.
The building served as the main library of the University of Pennsylvania until the construction of Van Pelt Library in 1962. Today it houses collections related to architecture, landscape architecture, city and regional planning, historic preservation, history of art, and studio arts.
Read more about this topic: Fisher Fine Arts Library
Famous quotes containing the word rejection:
“What is termed Sin is an essential element of progress. Without it the world would stagnate, or grow old, or become colourless. By its curiosity Sin increases the experience of the race. Through its intensified assertion of individualism it saves us from monotony of type. In its rejection of the current notions about morality, it is one with the higher ethics.”
—Oscar Wilde (1854–1900)
“As between these two, the need that in its haste to be abolished cannot pause to be stated and the need that is the absolute predicament of particular human identity, one does not presume to suggest a relation of worth. Yet the distinction is perhaps not idle, for it is from the failure to make it that proceeds the common rejection as “obscure” of most that is significant in modern music, painting and literature.”
—Samuel Beckett (1906–1989)
“In his very rejection of art Walt Whitman is an artist. He tried to produce a certain effect by certain means and he succeeded.... He stands apart, and the chief value of his work is in its prophecy, not in its performance. He has begun a prelude to larger themes. He is the herald to a new era. As a man he is the precursor of a fresh type. He is a factor in the heroic and spiritual evolution of the human being. If Poetry has passed him by, Philosophy will take note of him.”
—Oscar Wilde (1854–1900)