Design
The library's plan is exceptionally innovative: circulation to the building's five stories is through the tower's staircase, separated from the reading rooms and stacks.
The Main Reading Room is a soaring four-story brick-and-terra-cotta-enclosed space, divided by an arcade from the two-story Rotunda Reading Room. The latter has a basilica plan – with seminar rooms grouped around an apse (like side-chapels) – the entire space lighted by clerestory windows. Above the Rotunda Reading Room is a two-story lecture hall, now an architecture studio. The Main Reading Room, with its enormous skylight and wall of south-facing windows, acts as a lightwell, illuminating the surrounding upper rooms through leaded glass windows.
The three-story fireproof stacks are housed in a modular iron-and-glass wing designed initially to hold 100,000 books – but also to be continuously expandable, one bay at a time, with a movable south wall. Furness's perspective drawing highlighted this growth potential by showing a nine-bay stacks, although the original three-bay stacks were never expanded.
Throughout the building are windows inscribed with quotations from Shakespeare, chosen by Horace Howard Furness (Frank's older brother), a University lecturer and a preeminent American Shakespearean scholar of the 19th century. The architect collaborated with Melvil Dewey, creator of the Dewey Decimal System, and others to make this the most modern American library building of its time.
Read more about this topic: Fisher Fine Arts Library
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