Plot
Norman Glass celebrates his first wedding anniversary with his beautiful and talented wife, Ady. Norman's best friend, Dennis, also has a beautiful wife, Barbara. However, over the next few days, both relationships unravel rather quickly. First, Dennis walks out on Barbara; Norman goes to talk to Dennis in a city park and is frightened by what he finds. Dennis, clearly unhinged and paranoid, claims that Barbara is not what she seems, and that she is an alien creature who can change appearance (through influencing people's thoughts). A strange woman approaches Dennis and claims to be Barbara, begging him to take her back. Norman doesn't recognize her, but Dennis does - whereupon he runs into traffic and is killed.
Later, after Dennis' funeral, Norman experiences the same effects: he begins to feel repulsed whenever he touches, smells or tastes his lovely wife. Ady attempts to bluff her way out of the situation but is forced to admit the truth: she and Barbara are aliens whose ship crash-landed on Earth some time ago. They are repulsive creatures in their natural form (apparently, of aquatic origin), but since they are stranded on Earth with no way to leave, they decided to try to blend in and live out the rest of their lives as human women. Unfortunately, their ability to trick someone's senses wears off, as the victim grows a resistance, after a year or so. Norman becomes unhinged at this knowledge and ultimately suffers a mental breakdown when he finally sees Ady's true form. He is taken away by paramedics. Later, Ady is standing in a park where she changes her appearance and starts a flirtatious conversation with a passing jogger.
Read more about this topic: First Anniversary (The Outer Limits)
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“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
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The careful Devil is still at hand with means;
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The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)