History
The first major film festival was held in Venice in 1932; the other major and oldest film festivals of the world are: Cannes Film Festival (1946), Festival del film Locarno (1946), Karlovy Vary International Film Festival (1946), Edinburgh International Film Festival (1947), Melbourne International Film Festival (1951), Berlin International Film Festival (1951) and Toronto International Film Festival (1976).
The Edinburgh International Film Festival in the UK was established in 1947 and is the longest continually running film festival in the world. Raindance Film Festival is the UK's largest celebration of independent film-making and is taking place in London in October.
The first North American high film festival was the Columbus International Film & Video Festival, also known as The Chris Awards, held in 1953. According to the Film Arts Foundation in San Francisco, "The Chris Awards (is) one of the most prestigious documentary, educational, business and informational competitions in the U.S; (it is) the oldest of its kind in North America and celebrating its 54th year."
It was followed four years later by the San Francisco International Film Festival held in March 1957 whose emphasis was on feature-length dramatic films. The festival played a major role in introducing foreign films to American audiences. Among the films shown in its founding year were Akira Kurosawa's Throne of Blood and Satyajit Ray's Pather Panchali.
Today there are thousands of film festivals around the world, ranging from high profile festivals such as Sundance Film Festival and Slamdance Film Festival (Park City, UT) to horror festivals such as Terror Film Festival (Philadelphia, PA), and the first U.S. film festival dedicated to honoring the impact of music in film: the Park City Film Music Festival: http://www.PCFMF.com.
Digital feature film distribution began in 2005, along with the arrival of the world's first online film festival, the GreenCine Online Film Festival, sponsored by DivX.
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“the future is simply nothing at all. Nothing has happened to the present by becoming past except that fresh slices of existence have been added to the total history of the world. The past is thus as real as the present.”
—Charlie Dunbar Broad (1887–1971)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)