Performances
There are instances in the play where we believe Feste to be an almost omniscient presence. Some critics have suggested that there are moments where it seems Feste knows more about Viola/Cesario's disguise than he lets on and certain stage and film adaptations have taken this approach with their portrayal of the fool.
A good example is in Trevor Nunn's film adaptation, in which Ben Kingsley is constantly present in the scenes that reveal the plot — in fact he is the narrator at the start of the film, describing the shipwreck and the separation of the twins. He is then shown watching Viola arrive in Illyria and the film ends with him watching the various supporting players leave Olivia's estate. When Viola removes her "Cesario" disguise he gives her a golden necklace which she discarded when first shipwrecked on Illyria's shores.
Kingsley's Feste dresses in old clothes and appears to be a wanderer of no fixed abode, though he slips in and out of Olivia's estate at his will. He plays a number of musical instruments and, like most of the cast, displays a mixture of comedy and pathos.
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Famous quotes containing the word performances:
“This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
—Dorothy Parker (1893–1967)
“At one of the later performances you asked why they called it a “miracle,”
Since nothing ever happened. That, of course, was the miracle
But you wanted to know why so much action took on so much life
And still managed to remain itself, aloof, smiling and courteous.”
—John Ashbery (b. 1927)