Early Life and Career
Lamas was born Fernando Álvaro Lamas y de Santos in Buenos Aires, Argentina. By 1942, he was an established movie star in Argentina. His first film made in the United States was The Avengers in 1950. In 1951, he signed a contract with Metro-Goldwyn-Mayer and went on to play "Latin Lover" roles.
In 1951, he starred as Paul Sarnac in the musical, Rich, Young and Pretty and as Juan Dinas in the comedy, The Law and the Lady. Throughout the 1950s, Lamas had leading roles in a number of MGM musicals, including Dangerous When Wet with his future wife Esther Williams. After the beginning of the 1960s, he turned to TV series; mostly appearing in guest roles. From 1965 to 1968, Lamas had a regular role as Ramon De Vega on Run For Your Life, which starred Ben Gazzara.
Lamas directed for the first time in 1963. It was a movie titled Magic Fountain starring his future wife Esther Williams. He directed another feature film, The Violent Ones, which was released in 1967 and co-starred Aldo Ray and David Carradine. He was most active directing on television, doing episodes that included Mannix, Alias Smith and Jones, Starsky and Hutch and Falcon Crest. The latter show co-starred his son, Lorenzo.
Read more about this topic: Fernando Lamas
Famous quotes containing the words early, life and/or career:
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end.”
—Virginia Woolf (1882–1941)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)