Career in Mexico City
In 1943 Castro Pacheco moved to Mexico City where his career and personal life took new directions. Castro Pacheco married during this time and fathered two children. Relating to his career in art, it was during his time in Mexico that he was first linked to the Taller de Gráfica Popular. The Taller was a group of artists and printmakers that formed in 1937 most likely from the dissolved Liga de Escritores y Artistas Revolucionarios (League of revolutionary writers and artists) or LEAR which had been active in Mexico City prior to suffering from internal problems. The Taller is associated with popular political movements in Mexico during this time that included “progressive democratic” ideas and support for union workers and people of the lower classes. Castro Pacheco’s role at the Taller is debated. According to some sources he was a somewhat important artist at the Taller, producing engravings and prints that exemplified the face of the poor and suffering in Mexico. According to other sources Castro Pacheco’s role at the Taller was brief and limited, only participating in one show with the group upon his arrival in Mexico City. It was through this first exhibit with the Taller however, that Castro Pacheco gained attention as a print maker and artist. A portfolio of his work was included at the exhibition which gained him attention in the Mexico City art scene and in the international scene as well. Castro Pacheco continued as a print maker until 1960. Working first with linoleum and then between 1945 and 1960 with predominantly wood cuts.
Read more about this topic: Fernando Castro Pacheco
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