Painting Career
While his principal residences and studios were in his birthplace of Szeged and in Budapest, Joachim also painted in Rome, Venice, Marseilles, and the south of France. During his time in France he went by the name François Joachim. His works were exhibited in Paris, Rome, Venice, Berlin and Munich.
Joachim was a proponent of the late 19th-century concept of leaving the studio and painting in nature. One of his most productive periods was during one of his stays in Marseilles and along the Mediterranean coast, where he painted over a hundred canvases.
In Szeged he was active in promoting the arts in the region. Articles from Művészet in both 1910 and 1913 show him with other local artists. A publication from Hódmezővásárhely dated 15 April 1910 reports the annual spring exhibition of artists in Szeged, with Joachim Ferenc cited as the most modern of them, with a first-class sensibility for colors. Another article documents that in April 1919 Joachim was a member of the committee of the Szeged Museum trying to save and catalogue the museum's collections following the ravages and chaos of World War I (during which Joachim had served in the Kaiserlich und königlich forces of the Austro-Hungarian Army). Another document, dated January 15, 1928, shows Ferenc Joachim to be a founding member of the "Alföld Artists Association" ("Alföldi Müvészek Egyesülete") in Szeged.
Joachim's paintings were exhibited at the Salon de Paris, the Nemzeti Szalon (National Salon) in Budapest, and the Szépműveszeti Múzeum or Museum of Fine Arts (Budapest).
Today a small collection of his paintings (partly owned and partly on loan) is preserved in the repository of the "Móra Ferenc Múzeum" in Szeged. One painting, "Kőbánya Albániában" (Stone Quarry in Albania), is owned by the Hungarian National Gallery. All other paintings are in private hands, occasionally appearing at public art auctions in Hungary and the US.
Read more about this topic: Ferenc Joachim
Famous quotes containing the words painting and/or career:
“Now at least we know everything that painting isn’t.”
—Pablo Picasso (1881–1973)
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)