Legacy
He wrote about 200 operas and Singspiele. The romantic opera Das Donauweibchen (1798) was one of the most popular operas of the early 19th century. It was staged in Russia in 1803–1807 as Lesta, dneprovskaya rusalka (Russian: Леста, днепровская русалка) and its three sequels with Russian text and additional music by the naturalised Russian immigrant Catterino Cavos who originally hailed from Venice, and Stepan Davydov (1777–1825).
Das Donauweibchen was the first opera staged in Finland on December 3, 1826 in Viipuri by Schultz’s company. It was not unusual for travelling companies to make an excursion from the nearby Saint Petersburg to Viipuri, Finland being an autonomous Grand Duchy in the Russian Empire at the time.
Kauer also wrote 200 masses, many pieces of chamber music, incidental music (including Das Faustrecht in Thüringen). His "12 Neue Ungarische Tänze" reflect the influence of roaming Gypsy orchestras upon many composers of this era. In his "Sei variazioni" (c. 1810) Kauer introduced the xylophone into western classical music, and from that time this instrument has been adopted as a regular element of the orchestra. It is unfortunate that his music is rarely performed in modern times. His music has been shown to be highly imaginative, tuneful, and worthy of further study.
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“What is popularly called fame is nothing but an empty name and a legacy from paganism.”
—Desiderius Erasmus (c. 14661536)