Feminism in France - French Feminist Theory

French Feminist Theory

The term 'French feminism' refers to a branch of feminist theories and philosophies that emerged in the 1970s to the 1990s. French feminist theory, compared to Anglophone feminisms, is distinguished by an approach which is more philosophical and literary. Its writings tend to be effusive and metaphorical being less concerned with political doctrine and generally focused on theories of "the body". The term includes writers who are not French, but who have worked substantially in France and the French tradition such as Julia Kristeva and Bracha Ettinger.

The French author and philosopher Simone de Beauvoir wrote novels; monographs on philosophy, politics, and social issues; essays, biographies, and an autobiography. She is now best known for her metaphysical novels, including She Came to Stay and The Mandarins, and for her 1949 treatise The Second Sex, a detailed analysis of women's oppression and a foundational tract of contemporary feminism. It sets out a feminist existentialism which prescribes a moral revolution. As an existentialist, she accepted Jean-Paul Sartre's precept that existence precedes essence; hence "one is not born a woman, but becomes one". Her analysis focuses on the social construction of Woman as the Other, this de Beauvoir identifies as fundamental to women's oppression. She argues that women have historically been considered deviant and abnormal, and contends that even Mary Wollstonecraft considered men to be the ideal toward which women should aspire. De Beauvoir argues that for feminism to move forward, this attitude must be set aside.

In the 1970s French feminists approached feminism with the concept of écriture féminine (which translates as female, or feminine writing). Helene Cixous argues that writing and philosophy are phallocentric and along with other French feminists such as Luce Irigaray emphasize "writing from the body" as a subversive exercise. The work of the feminist psychoanalyst and philosopher, Julia Kristeva, has influenced feminist theory in general and feminist literary criticism in particular. From the 1980s onwards the work of the artist and psychoanalyst Bracha Ettinger has influenced literary criticism, art history and film theory. However, as the scholar Elizabeth Wright points out, "none of these French feminists align themselves with the feminist movement as it appeared in the Anglophone world".