Female Body Shape - Female Shapes

Female Shapes

Independent of fat percentage, weight or width, female body shapes are categorised in some Western cultures into one of four elementary geometric shapes, though there are very wide ranges of actual sizes within each shape:

  • Apple or V shape (triangle downward): Apple shaped women have broad(er) shoulders compared to their (narrower) hips. Apple shaped women tend to have slim legs/thighs, while the abdomen and chest look larger compared to the rest of the body. Fat is mainly distributed in the abdomen, chest, and face.
  • Banana, straight, or I shape (rectangular): The waist measurement is less than 9 inches smaller than the hips or bust measurement. Body fat is distributed predominantly in the abdomen, buttocks, chest, and face. This overall fat distribution creates the typical ruler (straight) shape.
  • Pear, spoon, bell, or A shape (triangle upward): The hip measurement is greater than the bust measurement. The distribution of fat varies, with fat tending to deposit first in the buttocks, hips, and thighs. As body fat percentage increases, an increasing proportion of body fat is distributed around the waist and upper abdomen. The women of this body type tend to have a (relatively) larger rear, thicker thighs, and a small(er) bosom.
  • Hourglass or X shape (triangles opposing, facing in): The hip and bust are almost of equal size with a narrow waist. Body fat distribution tends to be around both the upper body and lower body. This body type enlarges the arms, chest, hips, and rear before other parts, such as the waist and upper abdomen.

A study of the shapes of over 6,000 women, carried out by researchers at the North Carolina State University circa 2005, found that 46% were banana (rectangular), just over 20% pear, just under 14% apple, and 8% hourglass. Another study has found "that the average woman's waistline had expanded by six inches since the 1950s" and that today's women are taller and have bigger busts and hips than those of the 1950s.

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Famous quotes containing the words female and/or shapes:

    We are all androgynous, not only because we are all born of a woman impregnated by the seed of a man but because each of us, helplessly and forever, contains the other—male in female, female in male, white in black and black in white. We are a part of each other. Many of my countrymen appear to find this fact exceedingly inconvenient and even unfair, and so, very often, do I. But none of us can do anything about it.
    James Baldwin (1924–1987)

    Painting dissolves the forms at its command, or tends to; it melts them into color. Drawing, on the other hand, goes about resolving forms, giving edge and essence to things. To see shapes clearly, one outlines them—whether on paper or in the mind. Therefore, Michelangelo, a profoundly cultivated man, called drawing the basis of all knowledge whatsoever.
    Alexander Eliot (b. 1919)