Career
She made her debut in 1975 as Pamina in Mozart's The Magic Flute at the English National Opera. In 1976 she appeared in the premiere of Henze's We Come to the River at the Royal Opera House Covent Garden and began a long relationship with the Glyndebourne Festival.
She has been associated with the works of Richard Strauss including various lieder, the Four Last Songs and the roles of the Marschallin in Der Rosenkavalier and the Countess in Capriccio. She has also appeared in operettas, singing the title role in Franz Lehár's The Merry Widow at Glyndebourne, as well as Rosalinde in Die Fledermaus and the title roles in Offenbach's La belle Hélène and La Grande-Duchesse de Gérolstein'.
She has earned an international reputation as a concert singer, collaborating with most of the great conductors currently active. She has a special love for French "mélodies", German "Lieder" and the English song repertoire, particularly the songs of Benjamin Britten. She is a founding member of Songmakers' Almanac. Her accompanist since her student days has been Graham Johnson, and they have given a great number of recitals together. She also has performed duet recitals with mezzo-soprano Ann Murray, baritone Thomas Allen and Austrian mezzo-soprano Angelika Kirchschlager. She is also featured as a soloist in a recording of the Mozart Requiem in D Minor with the London Philharmonic Choir and Orchestra.
Read more about this topic: Felicity Lott
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